1 00:00:08,879 --> 00:00:09,879 Bill. 2 00:00:10,540 --> 00:00:11,540 Bill. 3 00:00:12,680 --> 00:00:13,680 Bill. 4 00:00:15,020 --> 00:00:16,100 Tax refund? 5 00:00:17,300 --> 00:00:18,840 That figure's wrong address. 6 00:00:20,760 --> 00:00:21,820 Hey, Harriet. 7 00:00:22,420 --> 00:00:23,420 Oh. 8 00:00:25,200 --> 00:00:26,200 Tough day? 9 00:00:26,640 --> 00:00:29,460 Yeah, I finally caught up with that computer thief. 10 00:00:29,960 --> 00:00:32,920 He's been using his boss's name to order extra equipment. 11 00:00:33,260 --> 00:00:36,580 Well, at least you finally caught him. Oh, by the way, how's that new assistant 12 00:00:36,580 --> 00:00:37,529 working out? 13 00:00:37,530 --> 00:00:38,530 Not so good. 14 00:00:38,950 --> 00:00:40,170 He's a computer thief. 15 00:00:42,690 --> 00:00:45,850 I heard someone come in. I thought it might be my date. 16 00:00:47,810 --> 00:00:48,810 Date? 17 00:00:49,850 --> 00:00:52,590 Well, come on then. Sit down and tell us about it. 18 00:00:53,830 --> 00:00:56,150 So, who's your date? 19 00:00:57,190 --> 00:00:58,190 Fletcher Thomas. 20 00:00:58,390 --> 00:00:59,710 Ooh, he's handsome. 21 00:01:00,030 --> 00:01:02,550 Honey, he is a major hook. 22 00:01:04,459 --> 00:01:08,080 He's taking me out to dinner, and then we're going dancing. And after that? 23 00:01:08,380 --> 00:01:10,880 Well, now, there may not be any after that. 24 00:01:11,380 --> 00:01:15,100 When men mumble with mamas, they drop like flies. 25 00:01:20,300 --> 00:01:23,240 Uh -oh. Please, don't mention it to Carl. 26 00:01:23,620 --> 00:01:28,460 Every time I get interested in a man, Carl has a hissy fit. 27 00:01:31,320 --> 00:01:32,480 Hello, Estelle. 28 00:01:32,960 --> 00:01:34,820 You look absolutely beautiful. 29 00:01:35,480 --> 00:01:39,400 Fletcher, if you're trying to sweet -talk me, good start. 30 00:01:41,820 --> 00:01:44,260 A rose for a rose. Oh. 31 00:01:46,700 --> 00:01:48,140 Don't wait up, honey. 32 00:02:02,800 --> 00:02:08,860 It's a rare condition this day and age to read any good news on the newspaper 33 00:02:08,860 --> 00:02:12,600 page. Love and tradition of the grand design. 34 00:02:12,840 --> 00:02:16,300 Some people say it's even harder to find. 35 00:02:17,360 --> 00:02:23,300 Well, there must be some magic glue inside these gentle walls. 36 00:02:24,680 --> 00:02:28,200 All I see is a tower of dreams. 37 00:02:28,560 --> 00:02:31,520 Real love bursting out of every scene. 38 00:02:36,060 --> 00:02:39,900 We're going to fill our house with happiness. 39 00:02:41,780 --> 00:02:46,660 But we'll smother the blues with deadness. 40 00:02:50,120 --> 00:02:56,320 There's room for you, room for me, for gentle hearts and opportunity. 41 00:03:01,800 --> 00:03:04,700 It's the bigger love of the family. 42 00:03:19,660 --> 00:03:20,660 Night, Mom. 43 00:03:20,740 --> 00:03:24,800 Night. Have a great... Great color. 44 00:03:25,060 --> 00:03:26,060 Uh -huh. 45 00:03:26,120 --> 00:03:27,120 Gotta study. 46 00:03:27,200 --> 00:03:29,670 Yep. School dance next week at night. 47 00:03:29,910 --> 00:03:33,810 School dance? 48 00:03:34,290 --> 00:03:36,430 Yeah, Sadie Hawkins Day. Girls ask boys. 49 00:03:36,710 --> 00:03:37,750 I'm going to ask Greg Hudson. 50 00:03:38,030 --> 00:03:39,490 Have I met him? No. 51 00:03:39,790 --> 00:03:42,550 But picture a Greek guy with his own moped. 52 00:03:44,210 --> 00:03:47,190 Well, just make sure Mr. Apollo has you home before 11. 53 00:03:48,230 --> 00:03:51,550 11? When are you going to realize I'm becoming a mature woman? 54 00:03:53,470 --> 00:03:56,490 When you can get through breakfast without spitting Cheerios at your 55 00:04:01,000 --> 00:04:02,940 Hey, is that that new nightgown I bought you? 56 00:04:03,580 --> 00:04:05,360 Yes. Let me see you model it. 57 00:05:10,890 --> 00:05:11,890 What do you want? 58 00:05:12,090 --> 00:05:13,750 Only to serve you, m 'lady. 59 00:05:15,870 --> 00:05:21,610 What do you 60 00:05:21,610 --> 00:05:28,410 want? Oh, I thought you might 61 00:05:28,410 --> 00:05:30,250 like to ask me to the Sadie Hawkins Day dance. 62 00:05:31,350 --> 00:05:32,350 Steve, listen. 63 00:05:32,630 --> 00:05:35,830 I was gonna wait for you to call. Then I realized that would be like waiting for 64 00:05:35,830 --> 00:05:37,370 Dan Quayle to appear on Jeopardy. 65 00:06:11,470 --> 00:06:12,730 you and Greg have a good time. 66 00:06:13,010 --> 00:06:16,650 Tell you what, you go ahead and ask Greg to eat their little cricket Hudson. 67 00:06:17,930 --> 00:06:21,370 But if he turns you down, a decision which could only be the result of 68 00:06:21,370 --> 00:06:25,150 inbreeding, I'll be there waiting with the old horse trailer. 69 00:06:25,410 --> 00:06:26,530 Deal? Deal. 70 00:06:37,490 --> 00:06:40,090 Hey, what you gonna do, Willie? I'm gonna trash Urquhart's locker. 71 00:06:40,540 --> 00:06:41,540 Why you gonna do that, Willie? 72 00:06:43,240 --> 00:06:44,240 Because it's Tuesday. 73 00:06:45,200 --> 00:06:46,200 Again? 74 00:07:19,400 --> 00:07:20,480 Not me, potato face. 75 00:08:07,020 --> 00:08:09,260 small talk. Would you like to go with me to the city hall because they dance? 76 00:08:14,240 --> 00:08:15,420 I can't, Laura. 77 00:08:15,700 --> 00:08:18,020 I mean, I'd like to, but I... No, you don't have to explain. I understand. 78 00:08:18,420 --> 00:08:19,720 No, no, no, no. Wait, you don't understand. 79 00:08:22,480 --> 00:08:23,480 Good grief, man. 80 00:08:23,620 --> 00:08:25,300 Have you just taken leave of your senses? 81 00:08:26,900 --> 00:08:29,820 You were just asked out by the most wonderful woman in the world. 82 00:08:30,300 --> 00:08:31,540 Would you keep your voice down? 83 00:08:32,120 --> 00:08:34,480 I'd like to go with Laura, but Willie won't let me. 84 00:08:35,220 --> 00:08:36,220 Buckner? 85 00:08:36,250 --> 00:08:37,330 The locker looter? 86 00:08:39,210 --> 00:08:43,490 Yeah. He told Laura he wanted her to ask him to the dance. She said no. 87 00:08:44,110 --> 00:08:48,730 That's my feisty filly. Yeah. He really is getting back at her. He put out word 88 00:08:48,730 --> 00:08:51,950 that any guy who goes to the dance with Laura will end up breathing through his 89 00:08:51,950 --> 00:08:52,950 ears. 90 00:08:53,710 --> 00:08:56,270 He wants you to go to the dance alone? 91 00:08:57,170 --> 00:08:59,250 Worse. He wants you to go with you. 92 00:09:58,570 --> 00:09:59,630 You are dead meat. 93 00:10:29,320 --> 00:10:35,420 both want to finish yeah i want you i want you no 94 00:10:35,420 --> 00:10:42,300 saturday silver's gym in the ring with proper supervision i'll be there 95 00:10:42,300 --> 00:10:44,720 coach but i got 10 bucks says that urkel won't show 96 00:11:24,400 --> 00:11:25,400 through with this. 97 00:12:04,430 --> 00:12:05,430 a fighting style. 98 00:12:08,510 --> 00:12:09,510 Steve. 99 00:12:09,770 --> 00:12:10,770 Steve. 100 00:12:11,090 --> 00:12:12,090 Steve. 101 00:12:12,510 --> 00:12:14,970 Huh? That's not a fighting style. 102 00:12:15,570 --> 00:12:16,710 That's a plea for help. 103 00:12:17,430 --> 00:12:18,790 Don't tease me, Carl. 104 00:12:19,470 --> 00:12:20,510 All right, I'll try. 105 00:12:21,230 --> 00:12:26,350 But, Steve, I strongly suggest that you consider a different strategy. 106 00:12:26,870 --> 00:12:29,350 Instead of trying to hit your opponent, run from him. 107 00:12:30,150 --> 00:12:33,110 Ah, sort of like an Urkel Shuffle. Right. 108 00:12:39,530 --> 00:12:41,830 Boxer's most important punch is the jab. 109 00:12:42,050 --> 00:12:44,610 It's a quick, straight blow to your opponent's face. 110 00:12:45,030 --> 00:12:46,030 Now, let's see your jab. 111 00:12:52,210 --> 00:12:53,210 How's that? 112 00:12:53,750 --> 00:12:54,750 Fine, fine. 113 00:12:56,010 --> 00:12:57,730 Just next time, wait till I'm ready. 114 00:12:58,770 --> 00:12:59,870 Sorry, big guy. 115 00:13:00,110 --> 00:13:02,130 Now, another good punch is the left hook. 116 00:13:02,370 --> 00:13:06,030 The arm travels in a circular motion, hopefully connecting with your 117 00:13:06,030 --> 00:13:07,970 chin. And it's a real good punch to have. 118 00:13:08,330 --> 00:13:10,030 Especially if the other guy's just using his jab. 119 00:13:13,970 --> 00:13:15,050 Sorry, reflex. 120 00:13:19,230 --> 00:13:23,470 Another good punch to have is the right cross. 121 00:13:24,090 --> 00:13:25,490 It's a power move. 122 00:13:25,830 --> 00:13:27,510 A knock you out punch. 123 00:13:28,930 --> 00:13:33,150 Now when you see an opening, your right hand comes across your left hand with 124 00:13:33,150 --> 00:13:34,950 all your weight behind it. Like this. 125 00:13:36,080 --> 00:13:38,440 You don't want to overuse your right cross. You want to save that for the 126 00:13:38,440 --> 00:13:39,439 perfect moment. 127 00:13:39,440 --> 00:13:42,020 Most of the time, you'll be relying on your left hook and your jab. 128 00:13:49,440 --> 00:13:50,720 That's enough for the day, Steve. 129 00:13:57,660 --> 00:14:02,380 Still, when we finished that mumbo and everybody applauded, I was so proud, I 130 00:14:02,380 --> 00:14:03,820 thought I'd bust a gun. 131 00:14:04,910 --> 00:14:08,630 Be honest, Fletcher. They applauded because you split your pants. 132 00:14:11,690 --> 00:14:14,710 Oh, Fletcher, I had a wonderful time. 133 00:14:14,930 --> 00:14:15,849 Me too. 134 00:14:15,850 --> 00:14:16,809 Good night. 135 00:14:16,810 --> 00:14:17,810 Good night. 136 00:14:43,530 --> 00:14:45,970 Stella's son. She told me an awful lot about you. 137 00:14:46,310 --> 00:14:47,310 Oh, really? 138 00:14:47,450 --> 00:14:48,409 That's funny. 139 00:14:48,410 --> 00:14:50,010 She hasn't mentioned a thing about you. 140 00:14:50,970 --> 00:14:53,010 By the way, I'm a cop. 141 00:14:55,270 --> 00:14:56,270 That's nice. 142 00:14:56,330 --> 00:15:01,570 Well, good night again, Estelle. Good night, Fletcher. And thanks again for a 143 00:15:01,570 --> 00:15:05,270 wonderful, lovely evening. The pleasure was all mine. 144 00:15:12,270 --> 00:15:13,370 Pleasure? What pleasure? 145 00:15:13,790 --> 00:15:15,210 Don't start with me, Carl. 146 00:15:16,710 --> 00:15:19,210 Mama, you were kissing that man. 147 00:15:19,450 --> 00:15:20,450 So? 148 00:15:20,570 --> 00:15:21,830 Well, you're my mother. 149 00:15:22,050 --> 00:15:23,510 Moms aren't supposed to do that stuff. 150 00:15:24,450 --> 00:15:26,950 If mothers didn't do that stuff, you wouldn't be here. 151 00:15:30,730 --> 00:15:34,570 But, but... I think I'm getting a headache. 152 00:15:36,950 --> 00:15:37,950 Carl, honey. 153 00:15:39,510 --> 00:15:40,570 Fletcher's a good man. 154 00:15:41,900 --> 00:15:44,640 He enjoys my company and I enjoy his. 155 00:15:45,900 --> 00:15:47,320 That's good, Mama. Really good. 156 00:15:47,700 --> 00:15:48,760 I'm happy for you. 157 00:15:49,080 --> 00:15:50,320 Bless you, sweetheart. 158 00:15:53,380 --> 00:15:54,380 Fletcher Thomas. 159 00:15:54,720 --> 00:15:55,880 You sure that's his real name? 160 00:15:56,640 --> 00:15:57,640 Yeah. 161 00:15:57,900 --> 00:15:58,940 I'll run a make on him. 162 00:16:51,720 --> 00:16:52,720 Really touched. 163 00:20:39,210 --> 00:20:40,830 You want me to go to the dance with you? I'd like to. 164 00:20:41,670 --> 00:20:43,910 Thanks, Greg, but I've decided to go with my champion. 165 00:20:45,850 --> 00:20:48,150 Steve, will you go with me to the Sadie Hawkins Day Dance?